But neither he nor his director is interested in the potential horrors of his newfound ability (see Ray Milland in the profoundly scary 1963 B-movie classic “X: The Man With the X-Ray Eyes”), and the action is mostly unexciting, especially a foot chase in Central Park.
Prior movies emphasized the Norman Rockwell aspects of Clark Kent's childhood, but here we get agony out of the likes of "X: The Man With the X-Ray Eyes."