Traveling con artist Harold Hill targets the naïve residents of a small town in 1910s Iowa by posing as a boys' bandleader to raise money before he can skip town.
Murray Abraham) and a quizzically earnest young priest brought to mind scenes shared by George Burns and Richard Benjamin in the film version of Simon’s comedy; and I could also detect something in the curl of Abraham’s lower lip and the rhythmic jabbing of his index finger to recall Robert Preston as, aptly, Professor Harold Hill in The Music Man.
The International Film Magazine•British Film Institute