If there are traces of Visconti here, they refer not to “The Damned,” which belabored a grand and screwed-up family as it slid into the clutches of Nazism, but to an earlier, more pitying film like “Rocco and His Brothers,” in which lust chewed up another family in a doomy Milan.
Though the tenderly handsome Nightcrawler star naturally looks about as much of a boxer as baby-faced Alain Delon in Rocco and His Brothers — which is to say, not at all — here the former Donnie Darko has been transformed into a tattooed, muscle-bound, raging bull gladiator.