Lola Montès (1955)
Directed by Max Ophüls
Lola Montes, previously a great adventuress, is reduced to being the attraction of a circus after having been the lover of various important men.
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What critics compared Lola Montès to
If not worthy of Lola Montès, the influence is clearly there.
Despite the naturalistic mayhem Refn deployed in his widely praised Pusher trilogy (violent, drug-dealer demimonde in darkest Denmark) and for all the bellowing fisticuffs here, Bronson is essentially a faux-operatic, music hall turn—a larky, lumpen version of Lola Montès.