A giant octopus, whose feeding habits have been affected by radiation from H-Bomb tests, rises from the Mindanao Deep to terrorize the California Coast.
Not for Mitchell the revelations of 1956’s “It Conquered the World,” in which “it” proved to be Zontar, a cone creature from Venus, or 1955’s “It Came from Beneath the Sea,” about a giant octopus.
At the same time, it should be said that the screenplay as composed by writers Dean Georgaris (Paycheck), Jon Hoeber (RED) and Erich Hoeber (Battleship) does have difficulty maintaining its own unique identity, and it’s hard not to look at this whole enterprise as just a big budget hodgepodge of ideas and moments culled from other giant-creatures-run-amok-on-the-high-seas stories ranging from 1955’s It Came from Beneath the Sea to 1977’s Tentacles to 1999’s Deep Blue Sea.
Cloverfield isn't a horror film – it's a pure-blood, grade A, exultantly exhilarating monster movie in the grand tradition of The Beast From 20,000 Fathoms, It Came From Beneath the Sea, and, to a lesser extent, Merian C. Cooper's King Kong.