Flouting the nobility-of-war theme of the History Plays, and the iconic dimension that made Laurence Olivier’s 1944 Henry V a rallying post for the British war effort in World War Two, Michôd’s film is a determinedly solemn and violent affair, which makes a sober political point at the end – but not before it has treated us to two hours of bleakly realistic historical reconstruction and some lugubrious drama.
If this doesn’t sound like the Henry V you remember from the movies, it’s because Sir Laurence Olivier’s version of Henry V cemented a different version of the character in the popular consciousness.