There is one such astonishing moment: a glitzy 1930s-style black-and-white musical reverie featuring Elisa and the merman dancing arm-in-arm that, like the classic movies Giles watches on TV—including a The Little Colonel clip featuring another mismatched but harmonious pair, Bill “Bojangles” Robinson and Shirley Temple—expresses The Shape of Water ’s old-Hollywood amour.
But with The Shape Of Water , he transmits obsession with his chosen medium both implicitly and explicitly, concocting a self-consciously old-fashioned curiosity that also pauses occasionally to marvel at a snippet of real Golden Age movie magic, like Bill Robinson dancing down the stairs with Shirley Temple in The Little Colonel .
The first five minutes is a spot the reference game for any cinephile, from Cleopatra , to The Little Colonel , to Beauty and the Beast , to The Red Shoes .
We catch glimpses of various movies and TV shows, including The Little Colonel , Coney Island , and Mister Ed —the last one particularly fitting, given the talking animal at its center.
On TV, we see Shirley Temple dancing in The Little Colonel (1935) and Betty Grable sashaying with a costumed pantomime horse in Coney Island (1943).