Hiroshi Teshigahara
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Religious iconography, theistic guilt, and spiritual loneliness are all major themes, and the final product has shadows of Hiroshi Teshigahara’s Woman In the Dunes.
In his director statement, Finnegan (who reportedly drew tonal inspiration from Hiroshi Teshigahara’s 1964 classic Woman in the Dunes ) describes Vivarium as addressing the “fantasy version of reality that we strive towards” in world where “consumerism is consuming us”, and in which the promise of ideal living is “the bait that leads many into a trap”’.
Akira Kurosawa 's great autumnal Mount Fuji of a film, Ran (1985) shouldn't require an introduction — it landed with a popular ker-blam here in the otherwise fallow mid-'80s, and the hoopla was enough to make Kurosawa only the second Japanese filmmaker to ever be Oscar-nominated for Best Director (the other was Hiroshi Teshigahara , for Woman in the Dunes, in 1965).