In both premise and execution, "Lockout" combines elements of Besson's "The Fifth Element" and "Escape from New York," clinging to those and countless other movies' B-movie thrills so faithfully that it at least remains watchably bad.
A process which must have consisted of throwing "Escape from New York," "Die Hard," "Romancing the Stone," "The Fifth Element" and all of their rip-offs into a blender and hitting "pulverize" until all traces of taste and texture were removed.
Some of that inspiration, and execution, is better than others — "La Femme Nikita," "The Fifth Element" and "Taken" fall into the better category — with Besson directing only a few of his brainstorms.
As in “The Fifth Element,” it feels like Luc Besson, co-writer of both films, concocted the basic story during a teenage fever dream in a high school study hall.
The generator of this story is the inexhaustible French producer Luc Besson (" The Fifth Element ," " La Femme Nikita ," "Ong-Bak" and dozens of others).
Since striking fanboy-cred gold with his elaborate, eccentric sci-fi spectacular " The Fifth Element ," writer-director Luc Besson has been enjoying (well, I presume he's been enjoying) a lucrative cinematic sideline dreaming up and producing action films in multiple genres.