But the trade-off for that lack of clarity is a film that aims—and, largely, fails—to approach the exhilaratingly engineered soullessness of The LEGO Movie .
Though “Storks” shares some production DNA with “The Lego Movie,” it aims much more for syrupy sentiment than for hip referential comedy, largely confining its gags to silly situations like having a self-appointed detective pigeon trail Junior and Tulip, who are also trailed by a gang of wolves who can form themselves into a submarine or a parachute.
“Storks” suggests that its close cousin “The Lego Movie” wasn’t an isolated incident, and that the new Warner Bros. animation development team has a plan to produce quality movies for years to come.
As Warner Bros.’ first big budget animated feature since 2014’s The Lego Movie , Storks delivers a nascent idea.
Try as it may, this middling feature from the Warner Animation Group, which released the everything-is-awesome The LEGO Movie a couple of years ago, falls short of the sterling standard set by Pixar and (on occasion) other studios.
While “kids of all ages”—especially those with kids of kids ages—have long gravitated to Disney and Pixar films, there’s a bit of extra cachet on an animated film from Wes Anderson (The Fantastic Mr. Fox) or Phil Lord and Christopher Miller (The Lego Movie, their follow-up to 21 Jump Street).