Kyle Edward Ball
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Shots of a TV set’s glare illuminating children’s toys recall images from Tobe Hooper’s Poltergeist, while mysterious POV shots bring to mind practically every slasher movie ever made.
Ball cites Chantal Akerman as one of his inspirations so imagine if she decided to deconstruct and reassemble “Poltergeist” (1982), “The Blair Witch Project” (1999) and Mark Z Danielewski’s first novel, “House of Leaves” without any adults or explanations.
Backrooms has been linked with the likes of Exit 8, Skinamarink, and We’re All Going to the World’s Fair as examples of Internet-inspired, liminal-space horror…
Kyle Edward Ball’s Skinamarink has proven a harbinger of the 2020s horror cinema scene…
At one end of the spectrum lies the story-absent Skinamarink while the other champions the absurdist Being John Malkovich, each leaning into their own brands of madness experiencing in-between spaces.
A movie like Skinamarink didn’t work for me because I needed more of an actual plot.
Like "Skinamarink" before it, "Backrooms" may not entirely live up to the impossible hype surrounding it for everyone.
…where my Skinamarink heads at?!?