A road trip with an Eastern European in the driving seat and the music of Gogol Bordello playing on the stereo inevitably evokes Liev Schreiber's Everything is Illuminated (and Eugene is based on that film's Ukrainian star, Eugene Hutz) - but in the end Wristcutters: A Love Story is, like the limbo it portrays, a peculiar hybrid of recognisable, second-hand elements that somehow add up to something entirely sui generis - an idiosyncratic piece of magical realism whose characters are literally on the road to nowhere.