Right off the bat, Harry Lighton’s directorial debut feels like a spiritual successor to the underappreciated “Secretary,” albeit framed through the queer gaze.
If you saw “Secretary” (2002), you have an idea of what you are in for, but the depiction of this kink is very different in terms of character development, narrative trajectory and relationship dynamics.
We’ve seen this dynamic before in media properties like Secretary, 50 Shades of Grey, and Stjepan Šejić’s must-read adult comic series Sunstone.
Like in Steven Shainberg’s SECRETARY, submission becomes a gateway for self-discovery, if not empowerment.
…like Lee Holloway in Secretary (2002), this film’s closest spiritual sibling, he’s largely unformed, just waiting for something to happen to him…