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Connections, in both directions

Extraction poster
Ovi Jr. then quotes some Paulo Coelho to let you know what’s on the Russos’ nightstands, to which Hemsworth brings less contemplative awe than Ogre did to the possibility of “c-a-t” actually spelling “dog” in Revenge of the Nerds II: Nerds in Paradise.
Nick Rogers • Midwest Film Journal • Apr 24, 2020
midwestfilmjournal.com ↗
The Invisible poster
Did he really mean to stage a search through the woods that recalls the one in Joe Roth’s Freedomland (2006)?
Identity poster
When you shake your head in disbelief at what Cusack and Liotta have done to us and you wonder Why? Why?, recall that, the same discerning minds -- their own or their people's -- also picked such winners as America's Sweethearts , for Cusack, and Heartbreakers, for Liotta.
Flick Filosopher
archive.org ↗
John Cusack has picked another intelligent script (no I am not referencing that crapfest America's Sweethearts ).
Blunt Review
bluntreview.com ↗
As someone who’s known for his attachment to quality movies, Cusack has had trouble identifying killer scripts lately; for every Being John Malkovich and High Fidelity there’s an America’s Sweethearts and a Pushing Tin.
the newt • Ear of Newt • Feb 9, 2014
archive.org ↗
Ransom poster
The film is adapted by Richard Price from his novel, and the impressive array of unassuming genre films in Price’s filmography (Ransom, Shaft, Kiss of Death) may begin to shed some light on what happened to Freedomland.
Euegene Novikov • Film Blather • Jun 27, 2012
archive.org ↗

That's all the connections!