There isn’t a cohesive world here, as in The Lord of the Rings or Star Wars, both of which Huntsman desperately evokes: instead, there’s random bits of magic and landscapes that make no organic sense but are strung together because, hey, ya gots to have snowy mountains and swampy Pits of Despair and castles on the ocean all within easy walking distance of one another in a fantasy flick.
From the ambitious battle scenes to the grandiose monsters, Sanders is aiming for a scale of fantasy reminiscent of The Lord of the Rings.
English commercial director Rupert Sanders makes his feature debut with a splash, launching a fantasy-adventure franchise that probably isn’t as good as any of the things it references — the classic Walt Disney film, of course, but also “The Lord of the Rings,” the Narnia series, “Game of Thrones,” “Star Wars,” Shakespeare and countless other works besides — but comes close enough, I’d guess, to carve out its own niche and create its own fan base.
Taking its cue from Twilight, Red Riding Hood and The Lord of the Rings, Snow White and the Huntsman very, very much longs to be a dark fairy tale, the sort where the skies are always charcoal gray and the characters are forever uttering their dialogue with an air of heavy significance.
A full-force fairy tale that takes the Grimms' twisty yarn and adds heapings of The Lord of the Rings, The Chronicles of Narnia, Joan of Arc, and Celtic myth, Snow White and the Huntsman - with Kristen Stewart and Chris Hemsworth in the title roles - is not your grandmother's Disney cartoon.