While Catherine Hardwicke’s “Thirteen” comes to mind, Doucouré eschews a gritty aesthetic in favor of a subtly surreal one for the story of the young Amy, who has recently resettled in a new flat with her mother Mariam and two younger siblings, waiting for their father to join them.
Catherine Hardwicke’s Thirteen may be an even closer comparison, when you consider its discomfiting level of too-much-too-soon-ness.