Featuring an ensemble of characters who are real historical figures, and utilizing them in a wholly fictional plot, The Harder They Fall has the vibe of “ Django Unchained meets Inglourious Basterds ,” and successfully crafts a gripping and thrilling story of rival gangs and vengeance in the Old West.
There will be inevitable comparisons to the unique style of Quentin Tarantino’s Django Unchained , and there’s no doubt Samuel has been influenced by the auteur’s entire body of work.
Mainstream Hollywood, too, has overlooked this fascinating part of the past though — from Sidney Poitier’s “Buck and the Preacher” and Mario Van Peebles’ “Posse” to Mel Brooks’ “Blazing Saddles” and Quentin Tarantino’s “Django Unchained” — images of Black cowboys and gunfighters occasionally have risen from the murk of anonymity to claim their rightful place on the big screen.
And where a movie like Django Unchained was an outright revenge fantasy, a reworking of history (and movie mythology) that made a grand show of delivering long-overdue symbolic payback, Samuel’s movie is a revenge story — it’s not so wedded to feigning a sense of just desserts, or commenting on the nation’s bad karma, by way of an orgiastic bloodbath.
There was Skin Game (1971), upon which Django Unchained seems partially based, and then—aww yeah—there’s the absolute thrill of Mario Van Peebles’ Posse (1993).
It’s far from the first movie to use this technique, with everything from Tarantino using Rick Ross in Django Unchained to Will Smith rapping over a Stevie Wonder sample in Wild Wild West spotlighting the surprising chemistry between modern Westerns and contemporary Black artists across a variety of musical genres.